Time is a Wheel
It was just a few months after I had left the island in 2007. I found myself in another island called Camiguin in Mindanao, where I met a group of South Korean high school students by chance who were on an immersion program organized by a good friend of mine.
These were the days prior to there being something called the innerdance. Despite the difficulties the students had with the English language, I suddenly found myself sharing the State of Consciousness I was in very easily. Historically, these moments shared with them were the first proto-manifestation of the innerdance workshop. In many ways, these students co-authored innerdance as a group process, where prior to this, I was merely conducting one on one processes.
The South Korean mind and body hosted what I channeled in raw form in powerful ways for various reasons. The historicities of South Korea are very particular, as revealed in language, culture and brain process.
A strange synchronicity took place in 2016, ten years after I had first met these Koreans. I had not seen them since 2008. One of those Korean students was attending an ecovillage training in Thailand where an innerdance workshop was held. After first experiencing the process, Donggun realized that it was exactly the same energy he first felt in the Philippines a decade past, quickly making the connection.
There were more synchronicities. His girlfriend in 2016 had visited Maia the previous year and had determined that it was somehow important to bring innerdance to South Korea the following years.
Donggun came to Palawan in 2019, giving me a chance to reconnect with a moment in 2007. A filmmaker named Joyce was able to document Donggun’s story, which creates an interesting discussion as to innerdance’s revelations on the nature of circular time.
In reflection of this video, we ask the question, “How is the Story of innerdance, the story of Self, Earth and History itself?”
It was just a few months after I had left the island in 2007. I found myself in another island called Camiguin in Mindanao, where I met a group of South Korean high school students by chance who were on an immersion program organized by a good friend of mine.
These were the days prior to there being something called the innerdance. Despite the difficulties the students had with the English language, I suddenly found myself sharing the State of Consciousness I was in very easily. Historically, these moments shared with them were the first proto-manifestation of the innerdance workshop. In many ways, these students co-authored innerdance as a group process, where prior to this, I was merely conducting one on one processes.
The South Korean mind and body hosted what I channeled in raw form in powerful ways for various reasons. The historicities of South Korea are very particular, as revealed in language, culture and brain process.
A strange synchronicity took place in 2016, ten years after I had first met these Koreans. I had not seen them since 2008. One of those Korean students was attending an ecovillage training in Thailand where an innerdance workshop was held. After first experiencing the process, Donggun realized that it was exactly the same energy he first felt in the Philippines a decade past, quickly making the connection.
There were more synchronicities. His girlfriend in 2016 had visited Maia the previous year and had determined that it was somehow important to bring innerdance to South Korea the following years.
Donggun came to Palawan in 2019, giving me a chance to reconnect with a moment in 2007. A filmmaker named Joyce was able to document Donggun’s story, which creates an interesting discussion as to innerdance’s revelations on the nature of circular time.
In reflection of this video, we ask the question, “How is the Story of innerdance, the story of Self, Earth and History itself?”
Flor writes: “one thing consistent in innerdance since the first ones I have experienced is that when Pi is facilitating the process, something curious happens. When he is speaking in the sessions, the words are talking about events that have already taken place seconds or minutes past, which means in the innerdance, we are somehow tapping into a time that doesn’t follow the normal linear sequencing that organises past, present and future.”
Carmen from Italy shares: “Innerdance replays cyclical event from the past. I remember parts long-forgotten but evidently very much still there. ID has helped me to find connections between intense childhood spiritual awareness which I could only piece later on in adulthood, as I held more parts to reflect what I could only see in wholeness as an innocent child. I realised that what I saw in my simple child-mind, were scenes of the concentration camps, the pogrom riots and scenes of diaspora. I didn’t initially know that I was actually adopted and that my birth mother was Jewish.
Having grown-up in the absence of any Jewish context, how was it I was being made to perceive flashbacks of what was in my bloodline. Since I made these connections, the flashbacks are occurring less frequently.
In the innerdances this year, I have been inundated by more general memories of different women in varied historical moments and contexts as I watch Ahilan represent a contrasting process of men undergoing
the healing work that unravels what takes place in what he historically represents.
It was very healing to be able to have a dialogue that allows for the transcendence taking place when opposite sides take on blame and victim roles.”
Carmen from Italy shares: “Innerdance replays cyclical event from the past. I remember parts long-forgotten but evidently very much still there. ID has helped me to find connections between intense childhood spiritual awareness which I could only piece later on in adulthood, as I held more parts to reflect what I could only see in wholeness as an innocent child. I realised that what I saw in my simple child-mind, were scenes of the concentration camps, the pogrom riots and scenes of diaspora. I didn’t initially know that I was actually adopted and that my birth mother was Jewish.
Having grown-up in the absence of any Jewish context, how was it I was being made to perceive flashbacks of what was in my bloodline. Since I made these connections, the flashbacks are occurring less frequently.
In the innerdances this year, I have been inundated by more general memories of different women in varied historical moments and contexts as I watch Ahilan represent a contrasting process of men undergoing
the healing work that unravels what takes place in what he historically represents.
It was very healing to be able to have a dialogue that allows for the transcendence taking place when opposite sides take on blame and victim roles.”
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The Ouroboros is a symbol from ancient Egypt and Greece portraying the serpent or the dragon eating its own tail, one of the oldest representations of circular time.
Time is Yoga, unto itself, stretching out until the ends of beginnings, the beginnings of endings meet. The innerdance discontinues linear time, creating eventual spatial continuities in an existential cycle in which interconnections in thought and experience find convergence in Space, what is made separate in Time. |
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This manifests through Retrocausality and Regression. Instead of operating in forward motion. Time seems to flow backwards, reversing causality whereby effects abnormally precede causes.
Very often, people in the innerdance share how they actively experience phenomenon in the external world, which they just saw (usually in vision-perception) within their deep transformative experiences.
Vibrations in music, the language, movement and physical touch influence inversions in Spacetime. A retrocausal reality becomes possible in techniques and intuitions harboured by certain facilitators who undergo various transformations in their own mind, brain and spiritual orientations, therefore allowing them to share their same Time Perception with those they facilitate.
Retrocausality exists in History, even as it transforms it. In all parts of the Universe where deaths and surrender occurs, the Past takes on characteristics we ascribe to the Future, creating openings (potentiality) where there were once closures (actuality).
In early childhood, humans off-load aspects of their Consciousness by projecting their energies outwards, externalizing their original State of Oneness through the illusion of "otherness." The forward motion of Time does this through Displacement, in language, thought and physical orientations.
How innerdance works is by creating the conditions by which what has been displaced, projected outwards and off-loaded in Time, is suddenly returned to originary Consciousness that suddenly in-loads in an accelerated deconstruction, what took a lifetime to construct. Such an experience is possible for people in moments of transformation, especially undergoing personal crises, ripe conditions for a very intense Condensation of the many aspects of Self, historicised in the span of a one to two-hour Life Review.
In my own life, the Wheel of Time turned through a one meeting with a Mexican stranger in 2002, whom I met in Southern California. After hearing voices one early morning forseeing my encounter with him, I later was given an experience of being seen fully in myself by another person who told me things about my past and my future, which eventually led to the events that resulted in emergence of my innerdance process.
Space is like a library filled with folders. We shift between what David Bohm calls the Implicate Order, where condensed realities lay enfolded, waiting to be unfolded into the Explicate Order, displaced in Life Stories through the Wheels of Time.
Very often, people in the innerdance share how they actively experience phenomenon in the external world, which they just saw (usually in vision-perception) within their deep transformative experiences.
Vibrations in music, the language, movement and physical touch influence inversions in Spacetime. A retrocausal reality becomes possible in techniques and intuitions harboured by certain facilitators who undergo various transformations in their own mind, brain and spiritual orientations, therefore allowing them to share their same Time Perception with those they facilitate.
Retrocausality exists in History, even as it transforms it. In all parts of the Universe where deaths and surrender occurs, the Past takes on characteristics we ascribe to the Future, creating openings (potentiality) where there were once closures (actuality).
In early childhood, humans off-load aspects of their Consciousness by projecting their energies outwards, externalizing their original State of Oneness through the illusion of "otherness." The forward motion of Time does this through Displacement, in language, thought and physical orientations.
How innerdance works is by creating the conditions by which what has been displaced, projected outwards and off-loaded in Time, is suddenly returned to originary Consciousness that suddenly in-loads in an accelerated deconstruction, what took a lifetime to construct. Such an experience is possible for people in moments of transformation, especially undergoing personal crises, ripe conditions for a very intense Condensation of the many aspects of Self, historicised in the span of a one to two-hour Life Review.
In my own life, the Wheel of Time turned through a one meeting with a Mexican stranger in 2002, whom I met in Southern California. After hearing voices one early morning forseeing my encounter with him, I later was given an experience of being seen fully in myself by another person who told me things about my past and my future, which eventually led to the events that resulted in emergence of my innerdance process.
Space is like a library filled with folders. We shift between what David Bohm calls the Implicate Order, where condensed realities lay enfolded, waiting to be unfolded into the Explicate Order, displaced in Life Stories through the Wheels of Time.