whole systems universe
In the innerdance, realities settle on the Cosmology of the Seven. People who dive into energy process speak its languages in the seven colors, the musical scale’s seven notes, the seven days of the week, the chakra systems etc.
In the consciousness that journeys into itself, the Universe is as much a Mind Map that metaphorizes our free-associative thinking around a visual conceptual nucleus.
During my time in Kalipay Beach fourteen long years ago, I created such a Mind Map on the Earth, through the building of a Mandala Garden upon which most of my time awake was spent on, conducting intense work.
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Meditating on my birthdate being on July 7, 1976 (7/7/76), all of my thoughts spiraled onto a circular shape I constructed using large rocks, composts, shells, wood and other found objects. It was from this circular Garden that I would first experience the Universe emerging from my Consciousness. On the Seven Circles within the Seed of Life, I inscribed the Keys of Seven. Pi is the 16th letter of the Greek alphabet, the number 1 being the Violet in the middle, the number 6 being the circles around the core. Within these 7 circles, 7 circles were contained in 7 more. |
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Outside the Seed of Life, I carefully inscribed the 12 Circles for the outer layer of the Flower of Life. Mu is the 12th letter of the Greek Alphabet, which here represented the 12 layers of the musical scale, the lunar months of the year, the 12 basic hues of the color wheel, the 12 figures in many religions, the units of time per day.
The Mandala garden even then served as a color chart that mapped out relational systems that made sense in circular formats rather than the vertical way in which the chakras are normally presented.
Later through the innerdance process, I perceived combinatory (juxtaposed) relationships between primary and secondary colors, which are historically based on Vincent Van Gogh’s color philosophies now known as the law of simultaneous contrast, which was initially derived from Eugene Delacroix’s theories. While on the beach, I was receiving similar contrasts and complements between the color chart, the musical scales and the seven chakras interplaying with each other.
My queries on numbers, colors and sound using the Seed of Life symbol during my 2006-7 spiritual hermitage on the island in Palawan centered on certain aspects on the mixture of Indigo (the mixture of red and blue) coming into circularity when Violet (red, blue and white) is placed in the middle of the Seed of Life. I was wondering how the circular color chart mirrors circuitous hierarchical relationship within the musical octaves in musical theory of harmonic and dissonant chords.
Violet in this regard, serves as the Black and the White Center from which energy emerges, is drawn from and also collapses into.
My queries on numbers, colors and sound using the Seed of Life symbol during my 2006-7 spiritual hermitage on the island in Palawan centered on certain aspects on the mixture of Indigo (the mixture of red and blue) coming into circularity when Violet (red, blue and white) is placed in the middle of the Seed of Life. I was wondering how the circular color chart mirrors circuitous hierarchical relationship within the musical octaves in musical theory of harmonic and dissonant chords.
Violet in this regard, serves as the Black and the White Center from which energy emerges, is drawn from and also collapses into.
F r a c t a l s
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Fractals are never-ending patterns, infinitely complex patterns that are self-similar across different scales.
They are created by repeating a simple process over and over in an ongoing feedback loop. Driven by recursion, fractals are images of dynamic systems – the pictures of Chaos.
Geometrically, they exist in between our familiar dimensions. Fractal patterns are extremely familiar, since nature is full of fractals. For instance: trees, rivers, coastlines, mountains, clouds, seashells, hurricanes, galaxies. etc.
Fractals are not limited to geometric patterns, but can also describe processes in time, sound, mental structures, language, art, architecture, technology, and the brain.
They are created by repeating a simple process over and over in an ongoing feedback loop. Driven by recursion, fractals are images of dynamic systems – the pictures of Chaos.
Geometrically, they exist in between our familiar dimensions. Fractal patterns are extremely familiar, since nature is full of fractals. For instance: trees, rivers, coastlines, mountains, clouds, seashells, hurricanes, galaxies. etc.
Fractals are not limited to geometric patterns, but can also describe processes in time, sound, mental structures, language, art, architecture, technology, and the brain.
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Metaphor, Recursion and UniverseOur own Milky Way galaxy has a Black Hole named Saggitarious A*, which visually serves as the center of our Outer Spaces.
Mandalas are art forms in South and Southeast Asia that help its viewers perceive the infinite parts of the cosmos by holding a clear middle point. It was as if the early creators of it intuitively understood that at the center of the Universe, is a centrifugal Wholeness where expanding forces implode back to the Heart of Creation. |
If one was to imagine the architecture aspired by the innerdance playlist, Sacred Geometry serves to provide a visual realization of our present omni-centric cosmologies whereby each dimension of consciousness represented by a color or sound also contains a rainbow and a musical scale unto itself, a constant recursion of sevens within sevens.
The Mandala is a metaphor for a Garden of Life, an inner and outer ecosystem that organizes our Chaos of infinite metaphors, helping us perceive the causal loops that unite alphas and omegas, beginnings with endings, the small and the big, the many and the One.
Listen to one soul who perceived and embodied the innerdance in the fullness of the Mandala many years ago.